Archive for January, 2012


autism in context…

January 23, 2012

One of the first topics we cover in Research Methods is that science does not occur within a vacuum – and this is especially true for psychological science. Recently, there has been a flurry of news stories about how certain mental health disorders are diagnosed, with a lot of debate focused on the diagnostic criteria for autism. This is occurring now because a revision of the Diagnostic and Statistical Manual (DSM), THE reference for psychiatrists and mental health professionals to diagnose mental health disorders, has been underway for years. The DSM is currently in its fourth (although revised) edition, and the fifth edition promises to make some important changes. (An overview of the revision is available here.) The changes are intended to increase the reliability and validity of the diagnoses that are made – essentially, the goal is to avoid false positives (diagnosing someone with a disorder who is actually healthy) while not excluding individuals from a diagnosis who do have a legitimate need for clinical intervention. It seems as though this should be a fairly straight-forward, empirically grounded process (the ideal), but there are a lot of other pressures playing into it – you can read a good summary of some of those issues here: Redefining Autism For DSM-V. The diagnostic criteria for autism have been arguably “loose” in past editions of the DSM, reflecting a very healthy debate about exactly what autism is.

In recent years, these has been an increase in the diagnosis of autism (MSNBC has a series of stories related to the increase – always worthwhile to see how the popular press approaches a subject, and they don’t disappoint with the title “Autism: The Hidden Epidemic?”). This increase has been accompanied by a debate – is the increase due to an increased prevalence of the disorder or does it reflect that the diagnostic criteria are too broad, resulting in lots of false positives? Depending on how you answer that question, you will see the proposed revision to the DSM in a very different light. For those that see an increase in prevalence – the revision may exclude many people who would benefit from clinical intervention. For those that see an increase in false positives – the revision represents a better diagnostic tool that will increase the reliability and validity of the identification of individuals with autism.

I am not a clinical psychologist. I am not an expert in autism. I am however interested in this debate because (a) it is important that we get diagnoses of mental health disorders right and (b) it nicely illustrates how the science of autism diagnosis is contextualized. This revision will have very real impact on families – possibly how they view the behaviors of a child that does not play the way other children on the playground do or what access they have to clinical or education services to assist them in working with that child. This revision will have a very real impact on healthcare groups – facilities and organizations may see funding disappear if the number of individuals with autism shrinks because of tighter diagnostic guidelines. The revision will impact researchers, teachers, and many others. I point this out to my students because sometimes when we are working our way through topics like “construct validity” or “false positives” in class, it may all seem rather academic and they might not see the importance of what they are learning.


creativity… going it alone or with the herd?

January 18, 2012

So, this week begins a new semester, and with it a certain resolution to more frequently add to the information I share through this little portal. Hopefully, I can maintain that focus and make a this a useful stopping point for my students (and others) who have some interest in various matters of a psychological nature. This semester, I am teaching a seminar (“Creativity & Cognition”) and a section of Research Methods. This may flavor the topics I choose to pick up on for this blog.

Case in point – with impeccable timing, the New York Times ran an opinion piece this past week looking at creativity and collaboration (The Rise of the New Groupthink). Susan Cain argues that the shift towards an emphasis on collaborative work (as evidenced by brainstorming meetings, shared work spaces, etc.) in the classroom and corporate office has been counter-productive because it stymies the endeavors of people who feel more comfortable and productive working on their own. Her new book “Quiet: The Power of Introverts in a World that Can’t Stop Talking” would seem to further develop this idea (although I haven’t read it and don’t see much of an opportunity to do so arising anytime soon). I just wanted to point out a few things in the opinion piece that caught my eye.

I think Cain’s closing idea is right on. In the second to last paragraph, Cain says, “… we need to move beyond the New Groupthink and embrace a nuanced approach to creativity and learning”. Creativity is complex – once you begin considering “why” and “how” it occurs, you realize that it involves the interaction of various components, none of which is sufficient alone to explain “why” or “how” creativity occurred. This means that there are no easy answers to either the “why” or the “how”, and most current theories of creativity reflect that idea. What I see as being the most complete theories of creativity engage with the notion of convergence in some way – the attributes and experiences of the individual interact with the current state of the domain that person is working within and the resulting ideas get picked up and transmitted by others if they are sufficiently novel and appropriate to the issues at hand. Cain’s comment in the closing reflects that complexity, but the main point of her article (that being forced into these group collaborations gets in the way of the creative individual) actually works against recognizing that complexity. She emphasizes the experience of the creative/introverted individual (e.g. Steve Wozniak of Apple), working alone, tirelessly endeavoring to create the breakthrough that will change things forever… (what in her last sentence, she appears to call “the real work”). But this ignores that fact that all of the hard work of the individual is for nothing if it is not situated properly within the domain (e.g. having the opportunity to start Apple with Steve Jobs who seemed to provide a vision for Wozniak’s tireless brilliance) and subsequently picked up by the others involved in developing home computers (from the computer “Homebrewers” she mentions to the consumers who provide a market for the yet to developed pcs). Her deference to the creative individual is reflected in the mention of Gregory Feist (who focuses on studying creativity as arising from a cluster of personality traits – a clear focus on the individual) at the start of her piece. More curious is her mention of Mihaly Csikszentmihalyi at the same point – Csikzentmihalyi has proposed a “systems view” of creativity that takes the notion of convergence mentioned above to heart. In one chapter, Csikzentmihalyi (1999) states very clearly his dissatisfaction with a focus on the individual as of critical importance in the creative endeavor:

“What the present chapter seeks to accomplish, however, is to point out that creativity cannot be recognized except as it operates within a system of cultural rules, and it cannot bring forth anything new unless it can enlist the support of peers. If these conclusions are are accepted, then it follows that the occurrence of creativity is not simply a function of how many gifted individuals there are, but also how accessible the various symbolic systems are and how responsive the social system is to novel ideas.” (p. 333)

Csikzentmihalyi is proposing that we distort our understanding of creativity by putting too much emphasis on the role of the individual, something that Cain appears to be doing in her proposal. And because she identifies the “creative” individual as being of a certain type (introverted), she fails to recognize the potential interactions between the person and the situation that are truly critical in understanding creativity. It could be that bustling and rich environments keep introverts from their creative potential, but it may benefit others. With a quick search, I found several studies that found positive correlations between extroversion and creative potential (Borod, Grossman, & Eisenman, 1971; Khosravani & Guilani, 2008; King, Mackee Walker, & Broyles, 1996), and these other creative types might just flourish in that environment.

If classrooms and workplaces are becoming as chaotic and socially focused as Cain proposes, it may not be an ideal environment for some people to create within. However, it may be the right kind of environment for others, and moving back to everyone sitting in neat rows and individual offices is hardly going to be the solution. There is a lot of interesting and meaningful research being done to better understand creativity (and much of it is focused specifically on the classroom and workplace environment), and I think we are better able to determine how different environments affect different kinds of individuals and their ability to create than Cain’s opinion piece suggests.


open source science…

January 17, 2012

This one is for all my Research Methods students (past and present). We spend quite a bit of time considering what the scientific process is and how it works, but I have to admit, in an attempt to “keep it simple”, I don’t always engage with some of the controversies that surround how science really works – as in what happens when you take that idealized notion of the scientific process and implement it in the “real world” where economic, social, personal, and professional pressures all work to distort the ideal. A new article in the New York Times does some of the heavy lifting for us, so we can take a look at what keeps scientists up at night…